In this new volume, Daniel Deleanu "rewrites" Wittgenstein's Tractatus Logico-Philosophicus from a logosophistic perspective, at the same time concentrating on a heuristic exploration of the fascinating realm of the Logos.

The divide between the North Indians and the South Indian Dravidians was created by the two British-initiated theories of the ‘Aryan invasion of India’ (AII) and the Indo-European family of languages (IE). Both the theories – AII and IE – were mischievously engineered by the British, with their colonial and missionary agenda, guided by their world-known notorious policy, ‘Divide and Rule’.

According to the AII, Aryans invaded India in about 1500 B.C. and got settled in North and forcibly pushed dark-skinned Dravidians to South. Aryans brought Sanskrit and composed the Vedas. The Dravidian – Tamil, Telugu, Kannada and Malayalam – are the native languages of India, not Sanskrit.

With abundant historical irrefutable evidence, it has been established that the alleged invading Aryans were originally from Aryavarta (India) who had gone overseas earlier than 1800 B.C. for trade, and had established their Vedic kingdoms in several countries. Even Greece was colonized by the Indo-Aryans. When in trouble in about 1500 BC, some of them attempted to return to India, the land of their ancestors. The rest were culturally absorbed. The returning Aryans were mistaken as invaders because they were traveling in armored horsedriven chariots. It was their return to, not invasion of India.

Because of long cohabitation between Sanskrit-speaking Aryans and Europeans, as the result of Indian colonization, Sanskrit influenced several European languages, particularly Greek and Latin. Resulting philological resemblances prompted Sir William Jones to theorize the IE, that Sanskrit and European languages have a common origin. It has been proved that Sanskrit and European languages do not have a common origin and that there is significant resemblance between Sanskrit and the Dravidian languages, much more than between Sanskrit and European languages.

• the origin of the word, chad, during the 2000 Presidential Elections,
• the number of words in the English Language,
• the most frequently spoken word on the planet (OK),
• the phenomenon of Bushisms (as in misunderestimate), and
• the impact of lingo that impact the language, such as the word bling-bling from 'hip-hop' artists.

Sound Business: The Reality of Chinese Characters, written by MA in Japanese Studies and Chinese Philip Philipsen, presents a whole new picture of Chinese characters seen in world perspective. And this is a world that sound makes go around. Get a rare insight into the real function, usage, etymology and true origin of Chinese characters, and be prepared to lose your breath as you discover our astonishing shared heritage.

Mixing past and present avant-garde Japanese, Chinese and western research, Sound Business: The Reality of Chinese Characters takes you on a journey that will forever change the way you look at Chinese characters. Join the revolution!

Sound Business: The Reality of Chinese Characters, written by MA in Japanese Studies and Chinese Philip Philipsen, presents a whole new picture of Chinese characters seen in world perspective. And this is a world that sound makes go around. Get a rare insight into the real function, usage, etymology and true origin of Chinese characters, and be prepared to lose your breath as you discover our astonishing shared heritage.

Mixing past and present avant-garde Japanese, Chinese and western research, Sound Business: The Reality of Chinese Characters takes you on a journey that will forever change the way you look at Chinese characters. Join the revolution!

Using the entire database of science, we look at the acquisition of language and how it forms our cultural perspective on life, including theories of language evolution. We develop the theory of the evolution of language from song, one of the few suppositions that Charles Darwin actually got right. From this basis we move on to the roots of Proto-Indo-European, which we call Bhear Tongue. Bhear Tongue is essentially the Eurasian language family dimly perceived by one of the greatest linguists of the twentieth century, Joseph Greenberg. From this perspective we can now retell the tribal stories from Iberia to Siberia, showing a common origin and motivation for human science and religion.

Using the entire database of science, we look at the acquisition of language and how it forms our cultural perspective on life, including theories of language evolution. We develop the theory of the evolution of language from song, one of the few suppositions that Charles Darwin actually got right. From this basis we move on to the roots of Proto-Indo-European, which we call Bhear Tongue. Bhear Tongue is essentially the Eurasian language family dimly perceived by one of the greatest linguists of the twentieth century, Joseph Greenberg. From this perspective we can now retell the tribal stories from Iberia to Siberia, showing a common origin and motivation for human science and religion.

John Yench tackles that grand conception, a universal language for mankind. He has been involved with the printed word all his life, as journalist, correspondent, editor, columnist, and author, as well as TV moderator and host. His interests range to acting and singing in musicals and theater, including a character role in a Hollywood film. Born in Russia during the throes of its revolution, John Yench grew up in China where his career began in the Associated Press and China News. In Asia, he was an organizing founder of the Free Enterprise Society of the Philippines, along with well known national figures that included a President of the Republic, whose daughter is now the current President of the Philippines. While there, he edited the Journal of the American Chamber of Commerce, and formed the Economic Information Service. From 1948 on, he has worked on a universal, self-consistent language, where a word's sound alone would reveal its meaning, without the need of a dictionary. He summarized his ideas in the seventies, acquiring in the process, a Master's Degree at California State University. This book is the compilation of his work since that time.

John Yench tackles that grand conception, a universal language for mankind. He has been involved with the printed word all his life, as journalist, correspondent, editor, columnist, and author, as well as TV moderator and host. His interests range to acting and singing in musicals and theater, including a character role in a Hollywood film. Born in Russia during the throes of its revolution, John Yench grew up in China where his career began in the Associated Press and China News. In Asia, he was an organizing founder of the Free Enterprise Society of the Philippines, along with well known national figures that included a President of the Republic, whose daughter is now the current President of the Philippines. While there, he edited the Journal of the American Chamber of Commerce, and formed the Economic Information Service. From 1948 on, he has worked on a universal, self-consistent language, where a word's sound alone would reveal its meaning, without the need of a dictionary. He summarized his ideas in the seventies, acquiring in the process, a Master's Degree at California State University. This book is the compilation of his work since that time.

In New England, as elsewhere in the United States, colleges and universities offer degrees in languages, but few make courses in the history of those languages mandatory. Aside from the usual MA theses and Ph.d. dissertations-almost all of them stiffly written attempts to isolate academically "workable" and degree-granting minutia-there is very little in print for the students of language that attempts to explain how contemporary languages in America have been and continue to be affected by their rubbing of elbows.

• Both were at one time banned in their community schools.
• Both have created hybrid dialects in English;
• Both have retained vestiges of their rhythms and stresses in these hybrids;
• Both have adopted English nouns and altered them appropriately;
• Both have applied their verb structures to English verbs;
• Both have adopted English cuss and curse words;
• Both favor religious swears (unlike American English, which favors the sexual);
• Both have insinuated words and expressions into contemporary American English.

Mutt Contay Saw is about French and what has happened to it in New England. But it's also about English. It's entirely in English, even the French pronunciations are rendered in English. There's a brief history tracing the development of English.

In New England, as elsewhere in the United States, colleges and universities offer degrees in languages, but few make courses in the history of those languages mandatory. Aside from the usual MA theses and Ph.d. dissertations-almost all of them stiffly written attempts to isolate academically "workable" and degree-granting minutia-there is very little in print for the students of language that attempts to explain how contemporary languages in America have been and continue to be affected by their rubbing of elbows.

• Both were at one time banned in their community schools.
• Both have created hybrid dialects in English;
• Both have retained vestiges of their rhythms and stresses in these hybrids;
• Both have adopted English nouns and altered them appropriately;
• Both have applied their verb structures to English verbs;
• Both have adopted English cuss and curse words;
• Both favor religious swears (unlike American English, which favors the sexual);
• Both have insinuated words and expressions into contemporary American English.

Mutt Contay Saw is about French and what has happened to it in New England. But it's also about English. It's entirely in English, even the French pronunciations are rendered in English. There's a brief history tracing the development of English.