Professor R.W. Carstens shares the findings of his deep exploration into Greeley's novels as evidence of a set of ancient values and key political ideas that are needed today more than ever. As a great storyteller, Greeley's message is significant-that grace sustains us, unites us, comforts us, and sometimes overwhelms us, but it is also evidence of our freedom. Carstens' careful examination into the deeper meaning behind the stories demonstrates that Greeley's characters and the world in which they live portray life as acts of faith, hope, and love, and prove that God is alive and well in the hearts of many in the world. As Carstens discusses Greeley's imagination and his political and theological concepts, he develops his own theories about how these ideas can be applied in today's world by creating freedom, limiting authority, and building communities where people are united by common goals.

In the end, Carstens' study demonstrates that Greeley's fiction shows us a way to go home -- -to the images that appeal to the best in us, and therefore tell us what might be.

Professor R.W. Carstens shares the findings of his deep exploration into Greeley's novels as evidence of a set of ancient values and key political ideas that are needed today more than ever. As a great storyteller, Greeley's message is significant-that grace sustains us, unites us, comforts us, and sometimes overwhelms us, but it is also evidence of our freedom. Carstens' careful examination into the deeper meaning behind the stories demonstrates that Greeley's characters and the world in which they live portray life as acts of faith, hope, and love, and prove that God is alive and well in the hearts of many in the world. As Carstens discusses Greeley's imagination and his political and theological concepts, he develops his own theories about how these ideas can be applied in today's world by creating freedom, limiting authority, and building communities where people are united by common goals.

In the end, Carstens' study demonstrates that Greeley's fiction shows us a way to go home -- -to the images that appeal to the best in us, and therefore tell us what might be.

Professor R.W. Carstens shares the findings of his deep exploration into Greeley's novels as evidence of a set of ancient values and key political ideas that are needed today more than ever. As a great storyteller, Greeley's message is significant-that grace sustains us, unites us, comforts us, and sometimes overwhelms us, but it is also evidence of our freedom. Carstens' careful examination into the deeper meaning behind the stories demonstrates that Greeley's characters and the world in which they live portray life as acts of faith, hope, and love, and prove that God is alive and well in the hearts of many in the world. As Carstens discusses Greeley's imagination and his political and theological concepts, he develops his own theories about how these ideas can be applied in today's world by creating freedom, limiting authority, and building communities where people are united by common goals.

In the end, Carstens' study demonstrates that Greeley's fiction shows us a way to go home -- -to the images that appeal to the best in us, and therefore tell us what might be.

Now in THE LONG AND THE SHORT OF IT, once again literary detective Robert Borski brings his critical eye and acumen to the wide array of Wolfe's work, from short stories to novellas to mega-book series.

Along the way he'll reveal to you the hidden alchemical structure of PEACE, why he thinks Latro and several others may be werewolves, what has happened to the missing twenty-four hours in "Seven American Nights," what Biblical story is retold in the pulpish "Tracking Song," who might or might not be an abo in THE FIFTH HEAD OF CERBERUS, and how to navigate your way through dozens of other lupine mazes-all before concluding with an extended examination of Wolfe's dazzling, if often opaque, BOOK OF THE SHORT SUN.

Now in THE LONG AND THE SHORT OF IT, once again literary detective Robert Borski brings his critical eye and acumen to the wide array of Wolfe's work, from short stories to novellas to mega-book series.

Along the way he'll reveal to you the hidden alchemical structure of PEACE, why he thinks Latro and several others may be werewolves, what has happened to the missing twenty-four hours in "Seven American Nights," what Biblical story is retold in the pulpish "Tracking Song," who might or might not be an abo in THE FIFTH HEAD OF CERBERUS, and how to navigate your way through dozens of other lupine mazes-all before concluding with an extended examination of Wolfe's dazzling, if often opaque, BOOK OF THE SHORT SUN.

Now in THE LONG AND THE SHORT OF IT, once again literary detective Robert Borski brings his critical eye and acumen to the wide array of Wolfe's work, from short stories to novellas to mega-book series.

Along the way he'll reveal to you the hidden alchemical structure of PEACE, why he thinks Latro and several others may be werewolves, what has happened to the missing twenty-four hours in "Seven American Nights," what Biblical story is retold in the pulpish "Tracking Song," who might or might not be an abo in THE FIFTH HEAD OF CERBERUS, and how to navigate your way through dozens of other lupine mazes-all before concluding with an extended examination of Wolfe's dazzling, if often opaque, BOOK OF THE SHORT SUN.

Emeritus Professor, Donald Shea College of Letters and Science, Department of Political Science University of Wisconsin, Milwaukee December, 1998.

Rollyson proposes a number of apologias for biography-including the thought that in the right hands the literary biography is a continuation of the writer's work and life. In such instances there seems to be a symbiosis between biographer and subject. In other cases, biographies spearhead the rediscovery of important writers. He rejects the idea that literary figures are not good subjects for biography because they are not men and women of action. That literary biography is a kind of strip mining, a pathography laying bare the subject's life to no good purpose is another canard this book demolishes.

The pieces here also expose the genre's weak points: a proclivity for overstatement and excessive length, the failure of biographers to build upon their predecessors' work (Rollyson invents a term-biographology-in order to discuss the biographical tradition).

Yokomitsu Riichi occupied a central position in the Japanese literary world during the 1920's and 1930's. He is perhaps the most important counterpart in modern Japanese prose literature to the "modernist" writers at work in Europe during and following World War I. His experimental works of the mid-1920's are a fascinating, self-conscious attempt to introduce the modernism of Europe to what was, by any standards, an alien tradition. These experimental writings are perhaps the most striking example in Japanese literature of "European influence" can be.

Dennis Keene's study, Yokomitsu Riichi: Modernist concerntrates on these early modernist works. Although he attends fully to Yokomitsu's works as worthy objects of study in themselves, Keene's real subject is the ways in which pme literature can affect another. "For modern Japanese literature, and for modern Japanese society as a whole, the overwhelming fact is the presence of the West." In this context Yokomitsu himself emerges as one of the most significant agents of this presence.

In demonstrating how Yokomitsu and other writers of the early twentieth century created a new form of Japanese literature, Keene provides not only a significant study in comparative literature, but a paradigm of cross-cultural relations between Japan and the West.

This essay offers a radical view of the post-Renaissance, Western literary scene inasmuch as Rudolf Steiner's Anthroposophy bears a relation to it, principally through his Mystery Plays. A number of major authors are highlighted as having an intrinsic connection with the Anthroposophical revelation-notably T.S. Eliot, and especially S.T. Coleridge. The prospect of a new cultural poetic for the future is outlined in connection especially with these two major figures of English critical-poetic tradition.

Other authors that are considered include Wordsworth, Goethe, Lawrence, Yeats; Graves, Hughes; Milton, Swift, and Blake; Strindberg, Hemingway and Beckett.

Steiner's Plays were never intended as Literature as we know that discipline today, but they provide a singular point of view from which the idea of Literature can be re-evaluated and new directions set forth that represent a transformed prospect for Literature in the future. Some of our most distinguished authors of the past are seen in a new light, as if it had been their struggle to reach out to the possibilities Steiner's Plays bring forth.

This essay offers a radical view of the post-Renaissance, Western literary scene inasmuch as Rudolf Steiner's Anthroposophy bears a relation to it, principally through his Mystery Plays. A number of major authors are highlighted as having an intrinsic connection with the Anthroposophical revelation-notably T.S. Eliot, and especially S.T. Coleridge. The prospect of a new cultural poetic for the future is outlined in connection especially with these two major figures of English critical-poetic tradition.

Other authors that are considered include Wordsworth, Goethe, Lawrence, Yeats; Graves, Hughes; Milton, Swift, and Blake; Strindberg, Hemingway and Beckett.

Steiner's Plays were never intended as Literature as we know that discipline today, but they provide a singular point of view from which the idea of Literature can be re-evaluated and new directions set forth that represent a transformed prospect for Literature in the future. Some of our most distinguished authors of the past are seen in a new light, as if it had been their struggle to reach out to the possibilities Steiner's Plays bring forth.